Books are the quiet monitors of mind,
They prompt its motions, shape its ways, they find
A road through mazes to the higher ground,
Whence to explore the sky-bound marches. Round
About us lie the open downs. Our days
Still ask a guide and goad. Wherefore always
We meditate wise thoughts and passionate lays;
Wherefore I send a book.
Books are the mind’s last symbol. They express
Its visions and its subtleties—a dress
Material for the immaterial things
That soar to immortality on wings
Of words, and live, by magic of the pen,
Where dead minds live, upon the lips of men
And deep in hearts that stir. Wherefore do I,
Drawing a little near, prophetically,
Send you a book.
Books are the heart’s memorial. They shall measure,— Clive Bell
In after days, our undiscovered treasure,—
Thrilling self-knowledge, half-divined untold
Yearnings, and tongueless agonies, shall unfold
Or half unfold to half-illumined eyes.
The cypress shadows creeping gnomonwise
Still stretch their purple fingers down the hill
That hangs above Fiesole; and still
Your English fireside glows. Do you most dear—
Sometimes just guessed at, sometimes very near—
Yet always dear and fairest friend, do you
Recall the sunlight and the firelight too?
Recall the pregnant hours, the gay delights,
The pain, the tears maybe, the ravished heights,
The golden moments my cold lines commend,
The days, in memory or which I send
There are three classes of authors—those who write without thinking, those who think while writing, and those who think before writing.— Arthur Schopenhauer
The ultimate rule (in writing) is: Learn so far as possible to be intelligible and transparent—no notice taken of your style, but solely of what you express by it.— Thomas Carlyle
The last thing that we discover in writing a book is to know what to put at the beginning.— Blaise Pascal
Good sense is both the first principle and parent-source of good writing. Hor.— Quintus Horatius Flaccus (Horace)
Every valley drinks,
Every dell and hollow:
Where the kind rain sinks and sinks,
Green of Spring will follow.
Yet a lapse of weeks
Buds will burst their edges,
Strip their wool-coats, glue-coats, streaks,
In the woods and hedges;
Weave a bower of love
For birds to meet each other,
Weave a canopy above
Nest and egg and mother.
But for fattening rain
We should have no flowers,
Never a bud or leaf again
But for soaking showers;
Never a mated bird
In the rocking tree-tops,
Never indeed a flock or herd
To graze upon the lea-crops.
Lambs so woolly white,
Sheep the sun-bright leas on,
They could have no grass to bite
But for rain in season.
We should find no moss
In the shadiest places,
Find no waving meadow-grass
Pied with broad-eyed daisies;
But miles of barren sand,— Christina G. Rossetti
With never a son or daughter,
Not a lily on the land,
Or lily on the water.
In writing readily, it does not follow that you write well; but in writing well, you must be able to write readily.— Quinclilian